We make every sound from scratch, from only the finest of organic free-range ingredients, the majority ethically sourced from our own recordings. Our audio kitchen is primed and ready to be used for each project to design and create fresh signature source content. This is done by using our own secret recipes and renown processing techniques - of which we are forever enhancing and experimenting with for every project. Teams can be sure that they're not only getting the best sound design, they're also getting fresh unique content. Not something warmed up from last week.
We’ve earned the reputation of creating some of the finest sounding cinematics, trailers, and long-form pieces in the industry. Truth be told, we may have a *slight* advantage: our close collaborators and team members have worked in all facets of sound, including on the largest blockbuster Hollywood movies (cue multiple explosions).
We provide full cinematic sound design, editing, and mixing in multiple formats. If your title needs audio for cinematics of any length, whether in-engine or pre-rendered, we can make them shine. Our delivery formats span from stereo all the way to Dolby Atmos and other immersive formats. Whether you need them for screen or stage, dynamic or “youtube” friendly, we've got your back.
Marketing & Commercials
Marketing is our field where our team’s creativity can go crazy and focus on “out of the box” ideas to make our clients vision come true.
In 2020 Csaba Wagner joined our amazing team to bring his years of expertise to us. He was the sound designer on the famous Pennzoil Joyride web series, and he was also trusted with brands, IPs and marketing campaigns such as BMW, Lexus, Porsche, Lamborghini, Acura, Fifa, Battlefield 1 & 5, Call Of Duty, Star Wars Battlefront 1-2, NHL and many others.
Implementation for Interactive Media
We work closely with game studio programmers to design and help develop unique playback and audio processing systems that tie directly into the existing systems. Couple that with our extensive experience in a wide range of game engines and audio middleware and it should be no surprise that we can make the code stand up and dance.
And don’t worry if your company’s in Timbuktu. We have substantial experience working remotely. Of course, we’re also happy to be on site - it gives us an excuse to leave the Hall of Sweet Justice and get some fresh air.
Handling a number of sensitive IPs and properties at any one time requires us to make sure the data is handled with the utmost security and care. As such, we use independent cybersecurity outfits regularly to provide full audits at Sweet Justice. Allowing clients the confidence to know that their data is incredibly secure and that Sweet Justice meet very specific requirements (such as ISO270001 and Microsoft SSPA) is all part of the service.
Director Of Audio Production